Currently not in stock: Please contact our sales team for product availability and lead times. Thanks to our strong supplier relationships our lead times are some of the quickest in the industry, giving us full confidence that we can still fulfil your requirements on back-order quicker than any competitor.
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If you place your order and we've not got a product in stock, a member of the sales team will contact you with our supplier lead times or to find an alternative.
Please call the sales team on 01525 850085 or email sales@leisuretec.co.uk if you have any questions.
Wireless Microphone Systems
We do our best to keep healthy stocks across the many Wireless Microphone System SKUs but in the rare case where we don't have your required system in stock, please contact our sales team as we can often make your product to order by borrowing the system components (transmitters, receivers or mics) from other stocked systems.
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Main Features
1” high frequency driver, 10” woofer
300-watt power rating (AES 2-hour)
High frequency horn features JBL Image Control Technology and Wave Shaping Vane for precise pattern control
Three separate horizontal mounting planes at 15º angles for specific positioning to improve coverage
Professional cinema has seen a dramatic evolution over the past few years – high definition content, digital projection and immersive audio. These amazing technologies have put new demands on cinema loudspeakers never before required. This is particularly true for the surrounds. Once a highly compressed ambience track, surround content today is equal to the screen channels in resolution and dynamics.
Most surrounds are basic loudspeakers, with modest output and simple coverage patterns. They were only used as a large distributed array along the theatre walls. Digital cinema and new audio formats require surrounds to operate in much smaller groupings and even singularly. This now requires surrounds to possess engineered coverage patterns and improved output dynamics. JBL undertook an extensive research effort to first analyze these new requirements and then design a completely new surround loudspeaker, from the ground up, for modern digital formats. The groundbreaking 9300 Series is the result. The horns developed specifically for the 9300 and 9310 have studio-quality performance with pattern control tailored to multiplex theatre geometries. Using the latest advancements in acoustic engineering, the 9310 horns map a theatre more consistently and accurately than ever before possible. Integral to the design is a wave shaping vane, which distributes acoustic energy in proper proportion to the room. This technique provides a wavefront that is sculpted to the room geometry and provides very precise mapping capability. This shaping also allows the loudspeaker to orient to the wall naturally while directing the acoustic energy to the seats.
JBL engineers also found that a slight angle in the positioning of the surrounds makes a dramatic difference in how they present themselves to the audience. This is particularly true in stadium seating geometry where the surrounds slope downward with the seating, and yet the horizontal patterns in conventional surround loudspeakers do not. This creates ‘hot spots’ in the coverage for those rows just above each surround. By mounting the surrounds at a 15° angle toward the screen, the hot spots are eliminated, the overall coverage maps are dramatically improved and those seats in close proximity to a surround have a much improved experience. The 9300 and 9310 provide three mounting planes for easy installation in any geometry
Product Features
1” high frequency driver, 10” woofer
300-watt power rating (AES 2-hour)
High frequency horn features JBL Image Control Technology and Wave Shaping Vane for precise pattern control
Three separate horizontal mounting planes at 15º angles for specific positioning to improve coverage
Input terminals on top of cabinet for easy access
Lightweight, rigid molded enclosure
Uniform asymmetric 60º vertical coverage and 110º horizontal coverage
Product Specifications
System
Frequency Range (-10 dB):
50 Hz – 25 kHz (2pi)
60 Hz – 25 kHz (4pi)
Frequency Range (±3 dB):
60 Hz – 20 kHz (2pi)
100 Hz – 20 kHz (4pi)
Coverage Pattern: 110º × 60º asymmetric, >1 kHz
Input Power Handling (AES 100-Hour Rating): 200 W (38 V)
Input Power Handling (AES 2-Hour Rating): 300 W (49 V)
Free-Field (4pi) Sensitivity: 96 dB SPL, 1 W @ 1m, ref 2.83 V
Half-Field (2pi) Sensitivity: 99 dB SPL, 1 W @ 1m, ref 2.83 V
Calculated Maximum dB SPL: 124 dB continuous, 130 dB peak
Rated Impedance: 8 ohms
Minimum Impedance: 7 ohms @ 200 Hz
Crossover Frequency: 2600 Hz
Transducers
Low Frequency: M110-8
High Frequency: 2414H
Enclosure
System Polarity: Woofer (IEC), HF (IEC)
System Protection: Network only
System Input Type: Banana
Enclosure Volume: 1700 sq in
Dimensions (H x W x D): 55.88 cm x 40.64 cm x 27.94 cm (22 in x 16 in x 11 in)
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