WZ414:4:2 Mix Wizard 4 14:4:2 All-Purpose Rack Mount Mixer

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Allen & Heath WZ414:4:2 Mix Wizard 4 14:4:2 All-Purpose Rack Mount Mixer - Main Image
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Price:
RRP: £1,650.00 inc VAT
Code:
ALLWX414422
Manufacturer Code:
W41442/240X
Brand:
Allen & Heath

Quantity required:

Main Features

  • Designed as a uniquely versatile live sound mixer
  • WZ4 14:4:2 is equally at home at Front of House, on Monitors
  • Features our acclaimed 4 band EQ with 2 sweepable mids, high quality 100mm faders
  • 4th generation MixWizard console now has the option to fit a multichannel USB interface
  • All-purpose analogue mixers in a compact, rack mountable frame
  • The MixWizards continues to set the standard in Mixers
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WZ414:4:2 Mix Wizard 4 14:4:2 All-Purpose Rack Mount Mixer

"Desk/Rack Mountable All Purpose Console."

Designed as a uniquely versatile live sound mixer, WZ4 14:4:2 is equally at home at Front of House, on Monitors, or doubling up to fill both roles at once.

WZ4 14:4:2 features our acclaimed 4 band EQ with 2 sweepable mids, high quality 100mm faders, 6 aux sends, 12 segment bargraph metering and our unique QCC connector system for easy desktop, rack or flightcase mounting.

This 4th generation MixWizard console now has the option to fit a multichannel USB interface with high quality 16 channel soundcard for easy multitrack recording and 2-track playback.

If you’re looking for professional grade, all-purpose analogue mixers in a compact, rack mountable frame, the MixWizards continue to set the bar.

Product Features

  • FOH/Monitor/Dual Mode: In FoH Mode, the 4 groups with inserts, 100mm faders and XLR outputs can be routed and panned to the LR mix for flexible sub-mixing. The main LR mix has inserts, separate left and right faders, and XLR outputs to feed the main speaker system. EQ and signal processing can easily be inserted on group and main outputs.In Monitor Mode, the aux mixes are routed to the group and LR faders, inserts and XLR outputs. The AFL and PFL system is switched to the Mono output to provide an engineer’s ‘wedge’ output. In essence, it’s a perfect 6-mix monitor console with additional outputs available from the group busses via the aux master controls.In Dual Mode some auxes can be used as monitor mixes and some sub-grouping can be used along with the main LR outputs, allowing the engineer to run FoH sound and some Monitor mixes from the same console.
  • 19″ Rack mountable
  • 10 mic/line inputs with balanced XLR/TRS jack, insert and direct output
  • 100mm faders
  • Reverse switches swap the function of the group and aux masters in Monitor or Dual Mode applications
  • 6 Aux sends – switchable pre/post fade
  • 4 Audio groups
  • 2 Dual Stereo inputs with separate gain and ‘ON’ switches allowing inputs to be selected independently or mixed together
  • 4 band EQ with 2 swept mids
  • 6×2 Matrix for providing feeds for in ear monitors, delay speakers, video, broadcast and more
  • Oscillator and Pink Noise generator for line-up and speaker testing
  • Tri-colour, 12 segment bargraph metering
  • +48V Phantom Power
  • Signal and Peak LEDs
  • Talkback Mic XLR with trim
  • Lamp socket
  • USB multitrack recording option

Product Specifications

General

  • Performance
    • Maximum output level XLR +26dBu into 600 ohms max load; Jack +21dBu into 2k ohm max load
    • Internal headroom Channels +21dB; Mix +23dB
    • Meters 3 colour LED, quasi peak response
    • Sensitivity 0VU = +4dBu at XLR output
    • Master meters 12 segment -30 to +16dB
    • Channel meters 2 segment -12, +16dB (5dB before clip)
    • Frequency response 20Hz to 50kHz +/-0.5dB
    • THD+n at +10dBu 1kHz Channel to mix out < 0.004%
    • Crosstalk at 1kHz Fader shutoff >90dB; Mute shutoff >90dB; Inter channel >90dB
    • Noise, rms 22Hz to 22kHz Mic EIN -127dB; Residual output noise < -96dBu (-100dB S/N); LR unity fader mix noise < -84dBu (-88dB S/N); Group unity fader noise < -90dBu (-94dB S/N)
    • Channel HPF 12dB/octave below 80Hz
    • Mono EQ HF Shelving, +/-15dB, 12kHz; HM Peak/dip, +/-15dB, 500Hz to 15kHz, Q=1.8; LM Peak/dip, +/-15dB, 35Hz to 1kHz, Q=1.8; LF Shelving, +/-15dB, 80Hz
    • Stereo EQ HF Shelving, +/-15dB, 12kHz; HM Peak/dip, +/-15dB, 2.5kHz, Q=1.8; LM Peak/dip, +/-15dB, 250Hz, Q=1.8; LF Shelving, +/-15dB, 80Hz
    • Power supply 100-240V, 50/60Hz auto sensing, IEC input; Power consumption 45W max; Mains fuse T630mA L 20mm 
  • Connections
    • Mono channel XLR balanced pin 2 hot Sensitivity -60 to +10dBu; TRS balanced, tip hot Sensitivity -40 to +10dBu; Pad out (MIC) 2k ohm; Pad in (MIC or LINE) >10k ohm, -20dB; Max input level +30dBu; XLR phantom power +48V, on/off
    • Stereo channel ST1,3 TRS unbalanced >10k ohm, -16 to +20dBu; ST2,4 TRS balanced >10k ohm, -16 to +20dBu
    • Talkback mic XLR balanced pin 2 hot Sensitivity -50 to -10dBu; Phantom power Internal jumper +48V
    • 2-track return RCA phono, unbalanced >4k ohm, -8 to +4dBu
    • 2-track send RCA phono, unbalanced < 1k ohm, -2dBu
    • Inserts Channel TRS, tip send, ring return, 0dBu; Output TRS, tip send, ring return, -2dBu
    • L, R, M outputs XLR balanced pin 2 hot <75 ohm, +4dBu, +26dBu max
    • Group (aux) out XLR balanced pin 2 hot <75 ohm, +4dBu, +26dBu max .
    • Aux 1-6 output TRS impedance balanced <75 ohm, -2dBu, +21dBu max; Electronic balance option <75 ohm, +4dBu, +26dBu max
    • Direct out TRS impedance balanced <75 ohm, 0dBu, +21dBu max
    • Matrix out TRS impedance balanced <75 ohm, -2dBu, +21dBu max; Electronic balance option <75 ohm, +4dBu, +26dBu max
    • Headphones TRS, tip L, ring R, 30 to 600 ohm headphones recommended
    • Monitor output TRS impedance balanced <75 ohm, -2dBu, +21dBu max
    • Lamp 4-pin XLR max 12V 5W lamp

Physical & Dimensions

  • Height: 194mm
  • Width: 507mm
  • Depth: 530mm
  • Weight: 13kg

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